JOJX

A production company with a mission to share and create bold commercial and direct-to-brand content.

GMUNK

Dots

Dots

U.S. gymnast Laura Zeng performs a mesmerizing floor routine in this collaboration between GMUNK and major game studio DOTS. Part of DOTS’ “Play Beautifully” campaign, the ethereal film combines movement and light into a visual feast. This film was about finding abundance in minimalism, and the way that the elimination of clutter can become key to unlocking personal creativity.

Nike

Nike

GMUNK worked with Nike and Maharishi to showcase not only a sneaker, but a philosophy. It is a coalition of nature and technology — using cutting-edge design to both celebrate the natural world and produce a product that honors it. And it requires an elevation of execution — infusing innovation to change how image campaigns are captured by using military camera technologies to turn an image into an immersion.

Muzik

Muzik

The fine folks at Muzik commisioned the Munky to direct a commercial campaign that sought to write the new chapter in Muzik’s story. It was a campaign that was about more than music, instead harnessing the power of technology to bring us back to nature. Empowering us to go out into the world heads up instead of down.

GMUNK is a visionary whose creativity and innovation span a diverse range of mediums

GMUNK is a visionary whose creativity and innovation span a diverse range of mediums

He has established himself as one of the top visual design directors in the world. Utilizing a fusion of psychedelic themes and richly textured palettes, his signature style is enigmatic, atmospheric, and metaphysical – much like the Munky himself.

Infiniti

Infiniti

Munko was given a bold idea – to examine the relationship between Humans and technology and explore the notion that together, this union is more powerful than ever. They wanted Munko to create a series of films that spotlight the all-new INFINITI QX50 through the relentless cycle of man pushing machine—and machine pushing man, the result is hypnotizing.

Michelob Ultra Seltzer

Michelob Ultra Seltzer

Munko was asked to by Michelob ultra seltzer examine their previous campaign and to figure out a way to rip it apart by digitally hacking into the spot and exposing the truth behind the product, while premiering during the Grammy’s.

CamelPhat

CamelPhat

For the stellar track Breathe by artist Camelphat, GMUNK crafted a music video that explored themes of depression, solitude, emergence, self-realization and ultimate growth.

Audi A5

Audi A5

Audi approached Autofuss to realize a spot that symbolized the harmony of art and engineering embodied in their vehicles. To promote Audi’s new A3 Sportback, Autofuss applied their expertise in advanced 3D projection mapping to transform a pair of robotically controlled canvasses into massive lenses that would augment the vehicle. Munko’s involvement was once again as Design Director for the entirety of the spot, taking command over the very talented design team of Jason English Kerr, Michael Rigley, Ryan Chen, and Christoffer Bjerre – each designer tackling a specific section of the spot. Munkowitz also played a primary role in conceiving the concept of the Augmentation Lenses and guiding the month-long pitch that ultimately led to the award of the job.

Creators Project

Creators Project

A stellar brief from Vice Australia results in an epic battle between a Holden Astra and a fleet of custom-designed drone in this thrilling collaboration between GMUNK and The Creators Project.

Telestron

Telestron

GMUNK partnered with VTPro Design for an epic art installation for Day For Night Festival. Conceptually, they wanted to recreate one of the ancient world’s most sought-after immersive experiences, invoking a ritual that harnessed the spiritual forces of nature to create a transformative experience. The result is primal and transfixing.

Uber Freight

Uber Freight

For Uber Freight’s launch campaign GMUNK utilized his deep understanding for how projection mapping and motion control works to successfully execute his vision. He juxtaposed the intimate inside-the-warehouse scenes with the projected imagery, which were embedded in the honest and very real textures of the environment for an attachment to the gritty, real-world setting.

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