GMUNK

GMUNK is a visionary whose creativity and innovation span a diverse range of mediums

GMUNK

Maestro Dobel

Maestro Dobel

This campaign for Maestro Dobel Diamante Tequila was viewed through the lens of contemporary art and optics. GMUNK used his experience working with light to stimulate viewers with a kinetic display of live-action and motion design that was elevated, volumetric and immersive.
The team used custom LED walls, crystalline refractions, deep shadows and rhythmic edits to create a fully engaging experience that lended the brand an exceptional identity of distinction, refinement, and prestige.

DECIMA x OFFF

DECIMA x OFFF

After an inspiring speech at OFFF Barcelona, Munky got an exciting request from OFFF founder Hector Ayuso to craft the 2020 20th Anniversary title sequence, which he eagerly accepted. With his background in Motion Design and deep admiration for iconic title sequences, Munkowitz was driven to assemble a talented team and pour his passion into this ambitious project.

Tron

Tron

Here GMUNK helped shape the visual campaign for the Lightcycle Run attraction at Magic Kingdom. Collaborating with Disney Yellow Shoes, this journey reached its most thrilling point as the story came to life at immense scale and physicality, delivering an immersive, cathartic experience.

GMUNK is a visionary whose creativity and innovation span a diverse range of mediums

GMUNK is a visionary whose creativity and innovation span a diverse range of mediums

He has established himself as one of the top visual design directors in the world. Utilizing a fusion of psychedelic themes and richly textured palettes, his signature style is enigmatic, atmospheric, and metaphysical – much like the Munky himself.

The Totem

The Totem

Jamie Drayton envisioned a Psychedelics Themed Experience and approached GMUNK to create its centerpiece art. This chance led to creating a massive living sculpture, merging light and sound, in reverence of the Psychedelic movement, showcased in Canada’s first immersive art exhibition titled ‘Psychedelics: The Experiential Exhibition.’ The Totem, a 25-foot-tall installation, became the show’s highlight, offering visitors a captivating Sonic Healing Ceremony.

Audi

Audi

The film is a thrilling, aesthetically stunning journey through a world where AI turns dreams into reality. Ever-interested in blurring the distinction between man and machine, GMUNK uses digital effects and a killer soundscape to reverse the role of car and driver. The use of light to visually represent the data from AI imagination is eventually replaced with live action footage of the car to reflect the change from dreaming to conscious AI.

Tonal

Tonal

With this Olympic featured spot, GMUNK teams up with Tonal and Sue Bird to transform what a champion looks like.

Box

Box

You could call it magic, but you’d only be half right. “Box,” a groundbreaking transformation of 2D imagery into a 3D space, is actually a highly complex experiment about light, dark, and how the eye processes data. Be prepared to  question your senses.

Winner, Cannes Silver Lion; Winner, SIGGRAPH Best in Show.

Maserati Ghibli

Maserati Ghibli

GMUNK had an opportunity here to define what the future of Maserati will look like, building upon over 100 years of history to give voice to a new generation of Maserati drivers. We are seeing the car becoming supercharged with the combined energy of the past and the future, from the clever perspective illusions, to the light sweeping over the car, the electric spark elements leading us through, and the vivid gradients and color scheme. The design language is a hybrid mixtape of elements that fuse together, incubating the new Ghibli Hybrid into its evolved form.

Tecnicontrol

Tecnicontrol

What if you really could walk into the tv? GMUNK makes this fantasy a reality in this live art installation set in a modern day living room. Using large scale robots and a seemingly infinite array of LED screens, the artist stages what he calls a “television abduction” in this reality bending piece that decimates the fourth wall.

Oculus

Oculus

The Los Angeles Theatre was the last and most extravagant of the ornate movie palaces built on Broadway in downtown Los Angeles between 1911 and 1931. Designed by architect S. Charles Lee with a French Baroque-inspired décor, its majestic six-story main lobby and 2,200-seat auditorium of carved plaster ornamentation, mirrors, and cove-lit murals recall the glamorous days of 1930s Hollywood. As such, what a perfect venue to showcase the latest in bleeding-edge technology to bring it into a present-day experiential design marvel. To do so, the family at VTProDesign brought in GMUNK to help craft a 4-minute immersion stream to promote the new Oculus Quest headset during an interlude during a Cinespia Movie Screening.

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